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All CAGNACCI, Guido Oil Paintings
    
     Artist Introduction: Italian Baroque Era Painter, 1601-1681
     
CAGNACCI, Guido Hl. Hieronymus china oil painting artist


Hl. Hieronymus
Painting ID::  68400 		  Technique Oil on canvas
 

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All Guido Cagnacci Oil Paintings
    
     Artist Introduction: (January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models.
     
Guido Cagnacci Hl. Hieronymus china oil painting artist


Hl. Hieronymus
Painting ID::  72036 		  nach 1659 Oil on canvas :160 x 110,5 cm cjr
 

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All CAGNACCI, Guido Oil Paintings
    
     Artist Introduction: Italian Baroque Era Painter, 1601-1681
     
CAGNACCI, Guido Hl. Hieronymus china oil painting artist


Hl. Hieronymus
Painting ID::  73536 		  Date Deutsch: nach 1659 Medium Oil on canvas Dimensions Deutsch: 160 x 110,5 cm Rahmenmaße: 178,2 x 130 x 7 cm cyf
 

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All Francisco de Zurbaran Oil Paintings
    
     Artist Introduction: 1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
     
Francisco de Zurbaran Hl. Hieronymus china oil painting artist


Hl. Hieronymus
Painting ID::  83294 		  c. 1640 Medium Oil on canvas Dimensions Deutsch: 185 x 103 cm cjr
 

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All Titian Oil Paintings
    
     Artist Introduction: Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
     
Titian Hl. Hieronymus china oil painting artist


Hl. Hieronymus
Painting ID::  88933 		  c. 1552 Medium Oil on canvas Dimensions Deutsch: 235 x 125 cm cjr
 

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Related Paintings to Titian :.
| David with the Head of Goliath sg | Self-Portrait as a Mocker | Portrait of Lucio Foppa tu | The Vision of St Bernard | The illusion of youth |

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